Maria Magdalena, 1480 by Carlo Crivelli, scarf [no. 22-02-09]


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Maria Magdalena, Carlo Crivelli, ca. 1480
Carlo Crivelli (1430 – 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini Squarcione, Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanny Bellini.
Mary Magdalene, Carlo Crivelli,
tempera on panel.
With Carlo Crivelli, the so-called ‘International Gothic’ style experienced its final flowering in Italy. This perfect preserved panel was painted towards the end of his career. It served as the altarpiece of a provincial church dedicated to Mary Magdalene in the sparsely populated rural area if ythe Marches where Crivelli lived.

Maria Magdalena, Carlo Crivelli, ca. 1480
tempera op paneel, h 152cm × b 49cm
Crlo Crivelli (1430-1495) was een Italiaanse Renaissance schilder.
Met Crivelli bereikte de zogenoemde ‘internationale gotiek’ haar laatste bloei in Italië. Dit puntgaaf bewaarde paneel ontstond aan het einde van Crivelli’s loopbaan. Het diende als altaarstuk in een plattelandskerkje gewijd aan Maria Magdalena in de Marche, de dunbevolkte streek waar Crivelli woonde.


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