Deze nieuwe collectie sjaals van DORIENDAVID is gebaseerd op de persoonlijke keuze van internationale kunst van David en Dorien. Het is kunst van alle tijden, dat blijkt wel uit de geselecteerde afbeeldingen. De onuitputtelijke vindplaatsen van deze kunstschatten zijn de fantastische internationale kunstmusea met hun public domain kunstwerken..

Omdat we het fair vinden aan dit gulle gebaar van musea te refereren, vermelden we zo mogelijk de naam van het kunstwerk, de datum, de kunstenaar en het museum.
David verzorgd de digitale weergave (onder de naam DesignsOfDavid) en vermeldt dit – indien mogelijk – ook op de individuele sjaals.

Een aantal eerdere afbeeldingen van de hand van David, zoals die te zien waren in onze collectie Industrial and Urban Poetry, krijgen een plekje in de ARTWORK Collectie. Bijv. the View on the Erasmus Bridge of Rotterdam (Blue en Sepia).

Complete lijst ARTWORK Collection met namen, (bestel)nummers en toelichtende tekst

 

DesignsOfDavid

Erasmus Bridge Rotterdam:

Complete lijst ARTWORK Collection met namen, (bestel)nummers en toelichtende tekst

 

DesignsOfDavid

Erasmus Bridge Rotterdam:

 

Erasmus Bridge Rotterdam, Sepia (no. 22-01-1)

 

Erasmus Bridge Rotterdam, Blue (no.22-01-2)

 

Kandinsky, Wassily, 

 

Heavy Red, 1924 (no 22-01-3)

 

Wassily Wassilyevich Kandinsky (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art

Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.

Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

 

Mesdag, HW

Fishing Pinks in breaking Waves,1875

Rijksmuseum A’dam (no.  22-01-4)

 

Mesdag (1831-1915) was already 35 in 1866 when he decided to become an artist. Until then he had been working at his father’s bank and had drawn purely for pleasure. To pursue his studies he moved to Brussels, where his teacher was the Dutch painter Willem Roelofs. The sea became Mesdag’s principal theme. In 1869, he settled by the coast at The Hague. His favourite place for painting was the beach at Scheveningen. In 1870 he made his international breakthrough, winning a medal at the Paris Salon. His most spectacular work, the Panorama, was completed in 1881. This circular canvas, 14 metres high and 120 metres in circumference, can be seen in The Hague near Museum Mesdag. He founded the museum next to his house together with his wife Sientje Mesdag-Van Houten, herself an artist, to show their collection of work by artists of the Hague and Barbizon schools.

 

Kandinsky, Wassily

 

Impression lll (Concert), 1911

Lenbachhaus München (no. 22-02-5)

 

Wassily Wassilyevich Kandinsky (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art

Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

 

Klee, Paul

Movement of Vaulted Chambers, 1915 (no. 22-02-6)

 

Paul Klee (1879 – 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.

Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci’s A Treatise on Painting for the Renaissance He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.

 

Klee, Paul

Theater Mountain Construction, 1920,

The MET, NYC (no. 22-02-7)

 

Hopper, Edward

Nighthawks, 1942,

Art Institute Chicago (no. 22-02-8)

 

Edward Hopper (1882-1967) is widely acknowledged as the most important realist painter of twentieth-century America.

His career benefited decisively from his marriage to fellow-artist Josephine Nivison, who contributed much to his work, both as a life-model and as a creative partner. Hopper was a minor-key artist, creating subdued drama out of commonplace subjects ‘layered with a poetic meaning’, inviting narrative interpretations, often unintended. He was praised for ‘complete verity’ in the America he portrayed.

In Edward Hopper’s most famous piece, Nighthawks  there are four customers and a waiter, who are in a brightly lit diner at night.

 

Crivelli, Carlo

Maria Magdalena, 1480

Rijksmuseum A’dam (no. 22-02-9)

 

Carlo Crivelli (1430 – 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini Squarcione, Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanny Bellini.

Mary Magdalene, Carlo Crivelli,

tempera on panel. 

With Carlo Crivelli, the so-called ‘International Gothic’ style experienced its final flowering in Italy. This perfect preserved panel was painted towards the end of his career. It served as the altarpiece of a provincial church dedicated to Mary Magdalene in the sparsely populated rural area if ythe Marches where Crivelli lived. 

 

Katsushika Hokusai,

The great Wave, 1833

Rijksmuseum A’dam (22-02-10)

 

Hokusai (1760-1849), one of Japan’s foremost artists, was born in Edo, present-day Tokyo. From one teacher he learned woodblock printing; from another he learned design. His first prints appeared in 1779. He published under almost 100 different names, such as the Old Man Who Loves to Paint. He adopted the name Hokusai in 1797. While he also painted portraits and still lifes, it was as a landscape artist that Hokusai achieved fame. Best known is his series of views of Mount Fuji. In addition to prints, Hokusai also drew and painted. His remarkable depictions of scenes from real life and his experiments with technique had a huge impact on his contemporaries. One admirer was the young Hiroshige. Western artists such as Van Gogh and Gauguin also drew inspiration from Hokusai’s work. Hokusai died in his native Edo.

 

Berckheyde, Gerrit,

View on the golden Bend Herengracht Amsterdam, 1672

Rijksmuseum A’dam (no. 22-02-11)

Gerrit Adriaenszoon Berckheyde (1638-1698) was a Dutch Golden Age painter active in Haarlem, Amsterdam and The Hague, who is best known today for his cityscapes.

Due to an enormous increase of its population, Amsterdam had to expand during the 17th century: the city rings 0f canals were dug in phases. Here we see the Herengracht under construction, with a few lots still empty. This particular section of the canal became the domain of the very richest.

 

Marc, Franz

Foxes, 1913,

Lenbachhaus München (no. 22-02-12)

 

Franz Moritz Wilhelm Marc (1880 – 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly depict animals, and are known for bright colouration. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums.

 

Kandinsky, Wassily

 

Improvisation Flood, 1913 (no. 22-02-13)

 

Wassily Wassilyevich Kandinsky (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art

Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

 

Cézanne, Paul,

Montagne Sainte Victoire, 1839 (22-03-14)

Paul Cézanne (Aix-en-Provence, 1839 –1906) was een Franse kunstschilder. Cézanne behoort tot het postimpressionisme, een Europese kunststroming die volgt op het impressionisme. Zijn werk vormde een brug tussen het impressionisme en het kubisme.

Bron Wikipedia

 

Turner, William

Long Ship’s Lighthouse Land’s End, 1834 (no. 22-03-15)

 

William Turner (1775-1851)

Turner werd beroemd als schilder van licht en sfeer in een tijd, dat een academische benadering nog populair was. Hij was een voorloper, een wegbereider. Turner was één van de belangrijkste kunstenaars van de Engelse romantische school. Aanvankelijk was Turner werkzaam als topografisch tekenaar en bezocht hij de Koninklijke Academie. Op zijn reizen door Engeland schetste Turner stadjes, gebouwen.

Bron Cultuur Archief.

 

Rembrandt van Rhijn, Reclining Lion, 1615,

Rijksmuseum A’dam (no. 22-03-16)

 

Rembrandt Harmenszoon van Rijn (Leiden, 15 juli 1606 Amsterdam, 4 oktober 1669) was een Nederlandse kunstschilder, etser en tekenaar. Hij geldt algemeen als een van de grootste schilders en etsers in de Europese kunst, en als de belangrijkste Hollandse meester van de 17e eeuw. Rembrandt vervaardigde in totaal ongeveer driehonderd schilderijen, driehonderd etsen en tweeduizend tekeningen.

Bron Wikipedia.

 

Wiener, Karl Aufloesung, ca. 1928,  (no. 22-03-17)

 

Karl Wiener (1901- 1949)  was een Oostenrijkse kunstenaar met een grafische achtergrond. Hij werkte in Wenen, Graz en München. Zijn werk wordt gekenmerkt door kleurrijk teken- en schilderwerk.

 

Katsushika Hokusai, South Wind, Clear Sky, from the series 

Thirty-sox Views of Mount Fuji (early 1830’s)  (no 22-03-18)

 

Katsushika Hokusai (葛飾北斎, Katsushika Hokusai, Edo, 31 oktober 1760 – aldaar, 10 mei 1849) was een Japanse prentkunstenaar, schilder en tekenaar. Hij hield zich vooral bezig met het maken van houtsnedeprenten, beter bekend als ukiyo-e. Hokusai heeft binnen alle genres van ukiyo-e gewerkt, maar het beroemdst werd hij door zijn landschapsafbeeldingen. Zijn leven vat de overgang samen van de elegantie in de prentkunst van de 18e eeuw tot het hoogtepunt ervan in de 19e eeuw. Tot zijn bekendste werken behoren De grote golf bij Kanagawa, de Zesendertig gezichten op de berg Fuji en zijn Manga

Bron Wikipedia.

 

Libermann, Max

Die Birkenallee in Wannsee nach NordWesten, 1920 (no. 22-03-19)

 

 

Max Liebermann was een Duitse schilder en graficus die behoorde belangrijkste vertegenwoordigers van het impressionisme. Hij werd geboren op 20 juli 1847 in Berlijn en studeerde aan de kunstacademie in Weimar. In 1873 trok hij naar Parijs en werd daar door Jean-François Millet (realisme) en door Frans Hals sterk beïnvloed, zodat hij realistische schilderijen met een een sociaal karakter maakte.

Bron: Kunstkopie

 

Paul Klee

Signs in Yellow, 1937 (no. 22-03-

20)

 

Paul Klee (1879 Muralto

1940) was een in Zwitserland geboren kunstschilder met de Duitse nationaliteit, die in zijn werk abstracte en figuratieve elementen combineerde met een uitgebalanceerde kleurtechniek. Zijn werk behoort tot de moderne kunst.

Paul Klee (1879 – 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.

Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively.

He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.

Complete lijst ARTWORK Collection met namen, (bestel)nummers en toelichtende tekst

 

DesignsOfDavid

Erasmus Bridge Rotterdam:

 

Erasmus Bridge Rotterdam, Sepia (no. 22-01-1)

 

Erasmus Bridge Rotterdam, Blue (no.22-01-2)

 

Kandinsky, Wassily, 

 

Heavy Red, 1924 (no 22-01-3)

 

Wassily Wassilyevich Kandinsky (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art

Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.

Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

 

Mesdag, HW

Fishing Pinks in breaking Waves,1875

Rijksmuseum A’dam (no.  22-01-4)

 

Mesdag (1831-1915) was already 35 in 1866 when he decided to become an artist. Until then he had been working at his father’s bank and had drawn purely for pleasure. To pursue his studies he moved to Brussels, where his teacher was the Dutch painter Willem Roelofs. The sea became Mesdag’s principal theme. In 1869, he settled by the coast at The Hague. His favourite place for painting was the beach at Scheveningen. In 1870 he made his international breakthrough, winning a medal at the Paris Salon. His most spectacular work, the Panorama, was completed in 1881. This circular canvas, 14 metres high and 120 metres in circumference, can be seen in The Hague near Museum Mesdag. He founded the museum next to his house together with his wife Sientje Mesdag-Van Houten, herself an artist, to show their collection of work by artists of the Hague and Barbizon schools.

 

Kandinsky, Wassily

 

Impression lll (Concert), 1911

Lenbachhaus München (no. 22-02-5)

 

Wassily Wassilyevich Kandinsky (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art

Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

 

Klee, Paul

Movement of Vaulted Chambers, 1915 (no. 22-02-6)

 

Paul Klee (1879 – 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.

Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci’s A Treatise on Painting for the Renaissance He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.

 

Klee, Paul

Theater Mountain Construction, 1920,

The MET, NYC (no. 22-02-7)

 

Hopper, Edward

Nighthawks, 1942,

Art Institute Chicago (no. 22-02-8)

 

Edward Hopper (1882-1967) is widely acknowledged as the most important realist painter of twentieth-century America.

His career benefited decisively from his marriage to fellow-artist Josephine Nivison, who contributed much to his work, both as a life-model and as a creative partner. Hopper was a minor-key artist, creating subdued drama out of commonplace subjects ‘layered with a poetic meaning’, inviting narrative interpretations, often unintended. He was praised for ‘complete verity’ in the America he portrayed.

In Edward Hopper’s most famous piece, Nighthawks  there are four customers and a waiter, who are in a brightly lit diner at night.

 

Crivelli, Carlo

Maria Magdalena, 1480

Rijksmuseum A’dam (no. 22-02-9)

 

Carlo Crivelli (1430 – 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini Squarcione, Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanny Bellini.

Mary Magdalene, Carlo Crivelli,

tempera on panel. 

With Carlo Crivelli, the so-called ‘International Gothic’ style experienced its final flowering in Italy. This perfect preserved panel was painted towards the end of his career. It served as the altarpiece of a provincial church dedicated to Mary Magdalene in the sparsely populated rural area if ythe Marches where Crivelli lived. 

 

Katsushika Hokusai,

The great Wave, 1833

Rijksmuseum A’dam (22-02-10)

 

Hokusai (1760-1849), one of Japan’s foremost artists, was born in Edo, present-day Tokyo. From one teacher he learned woodblock printing; from another he learned design. His first prints appeared in 1779. He published under almost 100 different names, such as the Old Man Who Loves to Paint. He adopted the name Hokusai in 1797. While he also painted portraits and still lifes, it was as a landscape artist that Hokusai achieved fame. Best known is his series of views of Mount Fuji. In addition to prints, Hokusai also drew and painted. His remarkable depictions of scenes from real life and his experiments with technique had a huge impact on his contemporaries. One admirer was the young Hiroshige. Western artists such as Van Gogh and Gauguin also drew inspiration from Hokusai’s work. Hokusai died in his native Edo.

 

Berckheyde, Gerrit,

View on the golden Bend Herengracht Amsterdam, 1672

Rijksmuseum A’dam (no. 22-02-11)

Gerrit Adriaenszoon Berckheyde (1638-1698) was a Dutch Golden Age painter active in Haarlem, Amsterdam and The Hague, who is best known today for his cityscapes.

Due to an enormous increase of its population, Amsterdam had to expand during the 17th century: the city rings 0f canals were dug in phases. Here we see the Herengracht under construction, with a few lots still empty. This particular section of the canal became the domain of the very richest.

 

Marc, Franz

Foxes, 1913,

Lenbachhaus München (no. 22-02-12)

 

Franz Moritz Wilhelm Marc (1880 – 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly depict animals, and are known for bright colouration. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums.

 

Kandinsky, Wassily

 

Improvisation Flood, 1913 (no. 22-02-13)

 

Wassily Wassilyevich Kandinsky (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art

Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

 

Cézanne, Paul,

Montagne Sainte Victoire, 1839 (22-03-14)

Paul Cézanne (Aix-en-Provence, 1839 –1906) was een Franse kunstschilder. Cézanne behoort tot het postimpressionisme, een Europese kunststroming die volgt op het impressionisme. Zijn werk vormde een brug tussen het impressionisme en het kubisme.

Bron Wikipedia

 

Turner, William

Long Ship’s Lighthouse Land’s End, 1834 (no. 22-03-15)

 

William Turner (1775-1851)

Turner werd beroemd als schilder van licht en sfeer in een tijd, dat een academische benadering nog populair was. Hij was een voorloper, een wegbereider. Turner was één van de belangrijkste kunstenaars van de Engelse romantische school. Aanvankelijk was Turner werkzaam als topografisch tekenaar en bezocht hij de Koninklijke Academie. Op zijn reizen door Engeland schetste Turner stadjes, gebouwen.

Bron Cultuur Archief.

 

Rembrandt van Rhijn, Reclining Lion, 1615,

Rijksmuseum A’dam (no. 22-03-16)

 

Rembrandt Harmenszoon van Rijn (Leiden, 15 juli 1606 Amsterdam, 4 oktober 1669) was een Nederlandse kunstschilder, etser en tekenaar. Hij geldt algemeen als een van de grootste schilders en etsers in de Europese kunst, en als de belangrijkste Hollandse meester van de 17e eeuw. Rembrandt vervaardigde in totaal ongeveer driehonderd schilderijen, driehonderd etsen en tweeduizend tekeningen.

Bron Wikipedia.

 

Wiener, Karl Aufloesung, ca. 1928,  (no. 22-03-17)

 

Karl Wiener (1901- 1949)  was een Oostenrijkse kunstenaar met een grafische achtergrond. Hij werkte in Wenen, Graz en München. Zijn werk wordt gekenmerkt door kleurrijk teken- en schilderwerk.

 

Katsushika Hokusai, South Wind, Clear Sky, from the series 

Thirty-sox Views of Mount Fuji (early 1830’s)  (no 22-03-18)

 

Katsushika Hokusai (葛飾北斎, Katsushika Hokusai, Edo, 31 oktober 1760 – aldaar, 10 mei 1849) was een Japanse prentkunstenaar, schilder en tekenaar. Hij hield zich vooral bezig met het maken van houtsnedeprenten, beter bekend als ukiyo-e. Hokusai heeft binnen alle genres van ukiyo-e gewerkt, maar het beroemdst werd hij door zijn landschapsafbeeldingen. Zijn leven vat de overgang samen van de elegantie in de prentkunst van de 18e eeuw tot het hoogtepunt ervan in de 19e eeuw. Tot zijn bekendste werken behoren De grote golf bij Kanagawa, de Zesendertig gezichten op de berg Fuji en zijn Manga

Bron Wikipedia.

 

Libermann, Max

Die Birkenallee in Wannsee nach NordWesten, 1920 (no. 22-03-19)

 

 

Max Liebermann was een Duitse schilder en graficus die behoorde belangrijkste vertegenwoordigers van het impressionisme. Hij werd geboren op 20 juli 1847 in Berlijn en studeerde aan de kunstacademie in Weimar. In 1873 trok hij naar Parijs en werd daar door Jean-François Millet (realisme) en door Frans Hals sterk beïnvloed, zodat hij realistische schilderijen met een een sociaal karakter maakte.

Bron: Kunstkopie

 

Paul Klee

Signs in Yellow, 1937 (no. 22-03-

20)

 

Paul Klee (1879 Muralto

1940) was een in Zwitserland geboren kunstschilder met de Duitse nationaliteit, die in zijn werk abstracte en figuratieve elementen combineerde met een uitgebalanceerde kleurtechniek. Zijn werk behoort tot de moderne kunst.

Paul Klee (1879 – 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.

Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively.

He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.

Erasmus Bridge Rotterdam, Sepia (no. 22-01-1)

 

Erasmus Bridge Rotterdam

Scarf Rotterdam blue

Erasmus Bridge Rotterdam, Blue (no.22-01-2)

 

Kandinsky, Wassily, 

kandinsky, heavy red

scarf ARTWORK DORIENDAVID

Heavy Red, 1924 (no 22-01-3)

 

Wassily Wassilyevich Kandinsky (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art

Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.

Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

 

Mesdag, HW

Fishing Pinks in breaking Waves,1875

Rijksmuseum A’dam (no.  22-01-4)

 

Mesdag (1831-1915) was already 35 in 1866 when he decided to become an artist. Until then he had been working at his father’s bank and had drawn purely for pleasure. To pursue his studies he moved to Brussels, where his teacher was the Dutch painter Willem Roelofs. The sea became Mesdag’s principal theme. In 1869, he settled by the coast at The Hague. His favourite place for painting was the beach at Scheveningen. In 1870 he made his international breakthrough, winning a medal at the Paris Salon. His most spectacular work, the Panorama, was completed in 1881. This circular canvas, 14 metres high and 120 metres in circumference, can be seen in The Hague near Museum Mesdag. He founded the museum next to his house together with his wife Sientje Mesdag-Van Houten, herself an artist, to show their collection of work by artists of the Hague and Barbizon schools.

 

Kandinsky, Wassily

 

Impression lll (Concert), 1911

Lenbachhaus München (no. 22-02-5)

 

Wassily Wassilyevich Kandinsky (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art

Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

 

Klee, Paul

Movement of Vaulted Chambers, 1915 (no. 22-02-6)

 

Paul Klee (1879 – 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.

Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are held to be as important for modern art as Leonardo da Vinci’s A Treatise on Painting for the Renaissance He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.

 

Klee, Paul

Theater Mountain Construction, 1920,

The MET, NYC (no. 22-02-7)

 

Hopper, Edward

Nighthawks, 1942,

Art Institute Chicago (no. 22-02-8)

 

Edward Hopper (1882-1967) is widely acknowledged as the most important realist painter of twentieth-century America.

His career benefited decisively from his marriage to fellow-artist Josephine Nivison, who contributed much to his work, both as a life-model and as a creative partner. Hopper was a minor-key artist, creating subdued drama out of commonplace subjects ‘layered with a poetic meaning’, inviting narrative interpretations, often unintended. He was praised for ‘complete verity’ in the America he portrayed.

In Edward Hopper’s most famous piece, Nighthawks  there are four customers and a waiter, who are in a brightly lit diner at night.

 

Crivelli, Carlo

Maria Magdalena, 1480

Rijksmuseum A’dam (no. 22-02-9)

 

Carlo Crivelli (1430 – 1495) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini Squarcione, Mantegna. He left the Veneto by 1458 and spent most of the remainder of his career in the March of Ancona, where he developed a distinctive personal style that contrasts with that of his Venetian contemporary Giovanny Bellini.

Mary Magdalene, Carlo Crivelli,

tempera on panel. 

With Carlo Crivelli, the so-called ‘International Gothic’ style experienced its final flowering in Italy. This perfect preserved panel was painted towards the end of his career. It served as the altarpiece of a provincial church dedicated to Mary Magdalene in the sparsely populated rural area if ythe Marches where Crivelli lived. 

 

Katsushika Hokusai,

The great Wave, 1833

Rijksmuseum A’dam (22-02-10)

 

Hokusai (1760-1849), one of Japan’s foremost artists, was born in Edo, present-day Tokyo. From one teacher he learned woodblock printing; from another he learned design. His first prints appeared in 1779. He published under almost 100 different names, such as the Old Man Who Loves to Paint. He adopted the name Hokusai in 1797. While he also painted portraits and still lifes, it was as a landscape artist that Hokusai achieved fame. Best known is his series of views of Mount Fuji. In addition to prints, Hokusai also drew and painted. His remarkable depictions of scenes from real life and his experiments with technique had a huge impact on his contemporaries. One admirer was the young Hiroshige. Western artists such as Van Gogh and Gauguin also drew inspiration from Hokusai’s work. Hokusai died in his native Edo.

 

Berckheyde, Gerrit,

View on the golden Bend Herengracht Amsterdam, 1672

Rijksmuseum A’dam (no. 22-02-11)

Gerrit Adriaenszoon Berckheyde (1638-1698) was a Dutch Golden Age painter active in Haarlem, Amsterdam and The Hague, who is best known today for his cityscapes.

Due to an enormous increase of its population, Amsterdam had to expand during the 17th century: the city rings 0f canals were dug in phases. Here we see the Herengracht under construction, with a few lots still empty. This particular section of the canal became the domain of the very richest.

 

Marc, Franz

Foxes, 1913,

Lenbachhaus München (no. 22-02-12)

 

Franz Moritz Wilhelm Marc (1880 – 1916) was a German painter and printmaker, one of the key figures of German Expressionism. He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.

His mature works mostly depict animals, and are known for bright colouration. He was drafted to serve in the German Army at the beginning of World War I, and died two years later at the Battle of Verdun.

In the 1930s, the Nazis named him a degenerate artist as part of their suppression of modern art. However, most of his work survived World War II, securing his legacy. His work is now exhibited in many eminent galleries and museums. When up for auction, his major paintings attract large sums.

 

Kandinsky, Wassily

 

Improvisation Flood, 1913 (no. 22-02-13)

 

Wassily Wassilyevich Kandinsky (1866-1944) was a Russian painter and art theorist. Kandinsky is generally credited as the pioneer of abstract art

Kandinsky spent his childhood in Odessa (today Ukraine), where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow, studying law and economics.Kandinsky began painting studies (life-drawing, sketching and anatomy) at the age of 30.

 

Cézanne, Paul,

Montagne Sainte Victoire, 1839 (22-03-14)

Paul Cézanne (Aix-en-Provence, 1839 –1906) was een Franse kunstschilder. Cézanne behoort tot het postimpressionisme, een Europese kunststroming die volgt op het impressionisme. Zijn werk vormde een brug tussen het impressionisme en het kubisme.

Bron Wikipedia

 

Turner, William

Long Ship’s Lighthouse Land’s End, 1834 (no. 22-03-15)

 

William Turner (1775-1851)

Turner werd beroemd als schilder van licht en sfeer in een tijd, dat een academische benadering nog populair was. Hij was een voorloper, een wegbereider. Turner was één van de belangrijkste kunstenaars van de Engelse romantische school. Aanvankelijk was Turner werkzaam als topografisch tekenaar en bezocht hij de Koninklijke Academie. Op zijn reizen door Engeland schetste Turner stadjes, gebouwen.

Bron Cultuur Archief.

 

Rembrandt van Rhijn, Reclining Lion, 1615,

Rijksmuseum A’dam (no. 22-03-16)

 

Rembrandt Harmenszoon van Rijn (Leiden, 15 juli 1606 Amsterdam, 4 oktober 1669) was een Nederlandse kunstschilder, etser en tekenaar. Hij geldt algemeen als een van de grootste schilders en etsers in de Europese kunst, en als de belangrijkste Hollandse meester van de 17e eeuw. Rembrandt vervaardigde in totaal ongeveer driehonderd schilderijen, driehonderd etsen en tweeduizend tekeningen.

Bron Wikipedia.

 

Wiener, Karl Aufloesung, ca. 1928,  (no. 22-03-17)

 

Karl Wiener (1901- 1949)  was een Oostenrijkse kunstenaar met een grafische achtergrond. Hij werkte in Wenen, Graz en München. Zijn werk wordt gekenmerkt door kleurrijk teken- en schilderwerk.

 

Katsushika Hokusai, South Wind, Clear Sky, from the series 

Thirty-sox Views of Mount Fuji (early 1830’s)  (no 22-03-18)

 

Katsushika Hokusai (葛飾北斎, Katsushika Hokusai, Edo, 31 oktober 1760 – aldaar, 10 mei 1849) was een Japanse prentkunstenaar, schilder en tekenaar. Hij hield zich vooral bezig met het maken van houtsnedeprenten, beter bekend als ukiyo-e. Hokusai heeft binnen alle genres van ukiyo-e gewerkt, maar het beroemdst werd hij door zijn landschapsafbeeldingen. Zijn leven vat de overgang samen van de elegantie in de prentkunst van de 18e eeuw tot het hoogtepunt ervan in de 19e eeuw. Tot zijn bekendste werken behoren De grote golf bij Kanagawa, de Zesendertig gezichten op de berg Fuji en zijn Manga

Bron Wikipedia.

 

Libermann, Max

Die Birkenallee in Wannsee nach NordWesten, 1920 (no. 22-03-19)

 

 

Max Liebermann was een Duitse schilder en graficus die behoorde belangrijkste vertegenwoordigers van het impressionisme. Hij werd geboren op 20 juli 1847 in Berlijn en studeerde aan de kunstacademie in Weimar. In 1873 trok hij naar Parijs en werd daar door Jean-François Millet (realisme) en door Frans Hals sterk beïnvloed, zodat hij realistische schilderijen met een een sociaal karakter maakte.

Bron: Kunstkopie

 

Paul Klee

Signs in Yellow, 1937 (no. 22-03-

20)

 

Paul Klee (1879 Muralto

1940) was een in Zwitserland geboren kunstschilder met de Duitse nationaliteit, die in zijn werk abstracte en figuratieve elementen combineerde met een uitgebalanceerde kleurtechniek. Zijn werk behoort tot de moderne kunst.

Paul Klee (1879 – 1940) was a Swiss-born German artist. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism.

Klee was a natural draftsman who experimented with and eventually deeply explored color theory, writing about it extensively.

He and his colleague, Russian painter Wassily Kandinsky, both taught at the Bauhaus school of art, design and architecture in Germany. His works reflect his dry humor and his sometimes childlike perspective, his personal moods and beliefs, and his musicality.

The ARTWORK Collection of scarves is a unique and personal choice of international works of art by Dorien and David. Resources are the international art museums with their public domain art. The selected works of art are from all times.

If available we give information on the title of the he artwork, the date, the creator and the museum. If possible we also print it on the scarf.
David (DesignsOfDavid) takes care of the digital representation, based on the original version.

Some earlier scarves of David from the Collection Industrial and Urban Poetry will be re-issued in the ARTWORK Collection. We start with a View on the Erasmus Bridge of Rotterdam (blue or sepia).